Due to its mortiferous toxicity to all life, high-level nuclear waste (HLW) will be solidified into a glass/ceramic matrix and sealed in permanent deep underground tunnel repositories for 100.000 years. The fundamental message - where these tunnels are located, and that they should never be opened - needs to be channeled across tectonic shifts, collapsing civilisations, languages and lifeforms.
Dreaming tracks, practiced in the Aboriginal cultures of Australia, are some of the longest lasting cultural techniques of information transmission, proven successful for up to 120.000 years of preceding human history. Mapped through song and dance, dreaming tracks are path networks in the sky and land, crossing through sacred sites. The underworld, in Greek mythology, is ruled by Pluto. He guards the souls who are condemned to spend eternity under the Earth. In the ancient Pluto cult, sleep rituals were conducted in a Plutonium, an underground tunnel sanctuary spewing toxic fumes.
PPKK smashes the Aboriginal dreaming tracks with the Plutonian sleep ritual, delivering a system of cradle songs (lullabies). The system of cradle songs will be used as the everlasting channel for the fundamental message, lyrically, melodically, rhythmically containing the geolocations of the HLW tunnels and all essential information.
To safeguard the transgenerational relay of the lullabies, PPKK establishes the priest club PuU. Their ceremonies biochemically serve as the core community and place attachment process. In sleeping rituals, the PuU members are soothed by the sound of the lullabies via which they transfer, share and update the HLW geolocations and all essential information. From generation to generation, PuU channels the fundamental message through time.
